The Turntablism Schools of Joke Lanz and Ignaz Schick

By: Eyal Hareuveni

Freejazzblog

2021

Language: english

Lanz and Wassermann are imaginative sound sculptors and on Half Dead Half Alive they offer a wild ride, often a manic and totally eccentric one, but a highly communicative and engaging one. The hyperactive, puzzling vocal gestures, free of any linguistic usage, and the fragmented, cartoonish sounds shift and reshape instantly, faster than the speed of sound itself, never attach themselves to any pattern, narrative or deep emotions for more than brief milliseconds. The unpredictable Lanz and Wassermann keep courting each other while busy deconstructing and twisting each other’s ideas in their very own subversive dance, as both are equipped with generous doses of irony and humor. Their sonic references encompass everything from exquisite operatic singing to refined Japanese royal court music.

The listening experience may leave you shocked but guarantees tons of fun. If you can imagine rare, colorful birds, with a flair for dadaist mischief, dance along anarchistic techno grooves that threaten to melt your brain, you may get closer to what happened in this outstanding performance.